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Tim Barrus/ Tristan's Moon/ sexually violated males (show me your life)

Cinematheque Films is an international art program for adolescent boys with a history of sex work and HIV/AIDS and a safe house for the same boys who have been trafficked by sex traffickers.  The model of the safe house being patterned after shelters for abused women and children. Abusers are never granted access. To that end, there is a great deal of confidentiality inherent in the process. Requests to communicate with individual boys are denied. Pedophiles who attempt contact are reported. Invading the life or the medical confidentiality of any boy in the program will not be tolerated.

FOR IMMEDIATE RELEASE

Sexually Violated Males Infected with HIV/AIDS Debut Art Show in New York City

“Tristan’s Moon” opens to the public, showcasing real stories expressed by young males ensnared in the international commercial sex industries and living with the devastating consequences of HIV/AIDS

NEW YORK, Jan. 2012 — Throughout the United States, one in every six males under the age of 16 is a victim of sexual abuse. More frightening, many are immersed in sex trafficking and at extremely high risk for contracting and dying from HIV/AIDS or related illnesses, substance abuse and suicide. From the beginning of abuse through death, these young people typically suffer in silence with no hope of appropriate or consistent medical care, justice or safety. The sale of children, child prostitution, child pornography, sex trafficking, HIV/AIDS and ongoing human rights violations are the motivation behind a disturbing yet powerful 2012 art show at Real Stories Gallery Foundation in Tribeca, New York.

The “Tristan’s Moon” art installation is the collaborative effort of young artists and their mentors. Thanks to Tim Barrus and Les Garcons de Cinematheque Films, founder and residents of an international safe-house and innovative arts program, these artists have been given a voice through artistic expression. Real Stories initiatives are showcased at http://www.real-stories-gallery.org with a foreword by Archbishop Emeritus Desmond Tutu. Tristan’s Moon is also the first human rights brick-and-mortar gallery of its kind, revealing personal stories through video, poetry, music, tattooing, photo collages and fine art prints.

“Tristan’s Moon spotlights a tragedy experienced by thousands of young males worldwide, including the United States,” says Dr. Rachel Chapple, Real Stories founder, anthropologist and mother of four children (three boys). “One startling story is the vast majority of abusers are married men with children. This and other realities make it a difficult story to share and to witness. But we must, if we are to end the trauma happening on our watch. Tristan’s Moon reveals the creativity and guts of young males forced to survive in an abusive adult environment, and their extraordinary empathy and compassion. We have much to learn from these remarkable young survivors. Tristan’s Moon will be a life-changing experience for anyone who witnesses it.”

Tristan’s Moon is a conversation raised by Real Stories in collaboration with Cinematheque Films and Art for Humanity, which have gifted their international fine art and poetry human rights portfolios. Other notable contributors include composer Philip Glass and Dunvagen Music Publishers (Satyagraha: “confrontation and rescue”); tattoo artist Anthony “Civ” Civorelli, lead singer for the punk band Gorilla Biscuits; and Sumana Witherspoon-Ghosh, assistant to Vanity Fair’s art director.

Tristan’s Moon is located at 36 Laight Street, Tribeca, NY 10013. Please ring the bell to enter (Monday through Friday). For private viewings, ask Rachel at realstoriesgallery@gmail.com; 646-331-0117

Real Stories Gallery Foundation, a 501(c)3 nonprofit organization, facilitates contemporary storytelling and collective witness through the arts for the purpose of raising awareness and evoking social change. Through storytelling, Real Stories works to prevent human rights violations related to HIV/AIDS worldwide.

Cinematheque Films: The Studio Arts Education, and Show Me Your Life students (Real Stories Gallery): Students are allowed access to fair use art materials and mixed media in the teaching of iconic manipulation in photographic, video and film production. Representations and facsimiles posted here are presented as teaching tools and instruments employed to instruct students in the techniques and application of mixed media art and collage. The Digital Millennium Copyright Act allows art-teaching entities the fair use of such materials in classroom and teaching-research applications.

Anonymous

Mbeki's defenders do what Mbeki often does: use a perverted kind of logic that ignores the larger context and parses words and phrases as if human beings are pieces of excrement that can easily be flushed away in order to make oneself feel pure and clever and in order to deny reality. They twist (or selectively use) the facts, ignore the consequences of the words and actions and then, when they are proven wrong, they lie. Classy. Words have consequences. Mbeki's questioning of the HIV/AIDS link had consequences. Hundreds of thousands died. Those who defend Mbeki imply that this was a good thing. I happen to think it was not. We all lived through 2000 and 2001. We all remember the way in which this debate was conducted. If Mbeki had really not questioned the link between HIV/AIDS (i) why did every cabinet minister refuse to state this scientific fact; (ii) why did Mandela come out of retirement to address an ANC NEC meeting to try and change policy only to be ridiculed and shouted down; (iii) why did Manto start peddling garlic and beetroot as an alternative; (iv) why did the government deny the efficacy of ARV's in court and argue that it was poisonous when the MCC had approved it for use; (v) why has he never said, ever, I repeat, ever, that HIV causes AIDS? Mbeki at any time could have said: I believe HIV causes AIDS. I believe ARV's can help to save lives of people living with HIV. I believe using condoms can save lives. He never did say any of these things. Instead he played little vanity games with the lives of others. We all (well those of us who are lucky enough to still be alive) are living with the consequences of this madness. Trying to rewrite history will never change this. Those who try to do are merely apologists for the actions of a heartless and cynical man who has a problem with telling the truth.

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