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Liam / Amhlaoibh/ Kieran


Liam

 

Tim Barrus (Director, Show Me Your Life)

From above, we see what appears to be perhaps a family walking along an Irish beach beneath the sea cliffs that tower over them.

One of those people would be Liam. The lions lived alone.

A witness.

To torture. To anarchy. To the violence of a church. To a plunge he takes to disappear. Into the darkness running like a train.

We see someone, perhaps it is nothing more than a shadow, in the background following Liam.

If you do not see it, you do not see it. You need external evidence. I have none to give you. And I do not care. About you. You are the audience. You mean nothing to me.

Are you real. What is the evidence for it.

Why is it I should care. It’s Liam I am compelled to hold.

Call it what you want.

Liam calls it the lions live alone. But there are no lions. You say.

Liam and his lions. To lay down among your many deaths. We see boys throwing Molotov cocktails from rooftops. The smell of gasoline and sweat And fear.

You do not see the lions so it cannot be true.

That is why you are the dead. Your churches are the dead. Your armies are the dead.  Your cultures are the dead.

Liam is not alone. Oh, Liam, I am with you. Every step. Every disappearance. Every plunge. Every glance toward every horizon. Every escape from every candle.

The lions live with other lions. I have seen them. I see them now. Lions everywhere.

Show me your life.

 

The council wasn’t there, just answer phone

The humans disappeared, they left their homes.

So the lions lived alone.

 

And all the towns we built,

we built them so the lions could escape,

so they could roam in houses of their own.

 

The council wasn’t there, just answer phone

The humans disappeared, they left their homes.

So the lions lived alone.

 

So the lions lived alone.

 

I am asking adolescent males at risk (females are welcome to contribute but few do) to show us their lives. And so they do. And when they add images the culture does not want to see, images that are, indeed, representative of their lives, the culture recoils, and censors them. “We told you so,” I am told time and time again. Before I die, just once, I would like to see any one of them, and they’re all over the planet, really show us their lives. Before I die, I just once would like to work with kids without having to worry about how the adults would punish us. Before I die, I would just once like to be able to look some kid like Liam in the eye, and say: this is your life. Not: this is your life and here is why we have to censor it.

Liam has been in Ireland. He’s sixteen. In the torrent of video content he has sent us, there are images that include scenes of soldiers raping boys, boys throwing Molotov cocktails from rooftops, Irish beaches, interiors and exteriors of Catholic churches, and one torture clip where soldiers have hung a tied-up kid upside down by a rope and are immersing the kid’s head in a bucket of water. Liam is attempting to show us a life that has been plagued by rape and violence.

I would rather have Liam working on videos versus throwing gasoline bombs from rooftops at cops and British soldiers. But no. I will be compelled to censor these images. Liam is a minor. With HIV/AIDS. We are very uncomfortable with the Liams in our midst. I know what it’s like to be raped. I’ve been raped. The rage is not inconsiderable. Before I die, I want to live.  I am surrounded by enough death and I want to fight back by making art. I have always said I am not unlike the boys I deal with. It has been the camaraderie in relationships, and medicine, and art, that have kept me alive.

 

 

 

I knew from Show Me Your Life videos being sent to me that Belfast was going to explode into rioting.

It just did.

I do not understand how people did not know this was coming.

The tension there is so thick.

You can see it.

 


Amhlaoibh

Timothy Patrick will help me write this. My thoughts and words just bloody muck it up. I am Amhlaoibh and the blonde boy sitting beside me is my brother, Keveon. Mitch. Schools sucks my knob. We were homeless in N. Ireland. Our dad was drawing the dole then he was up and gone. Drunk fucker. Keveon is a totally hot fag. I am straight. I got the gay fatigue. But I will do dick sex for money. We made some vids for a club. Then we beat a gimp up. We robbed him. They kicked us out the club. We are sick. But we did make sex vids. So we know video. Timothy Patrick said it might be good for us to show some responsibility. We will be video mentors. We are sending cameras so do not rip them off. Do no make a sex vid even if it is your life. We do no live that life. We are out. We are off the street. But if you are doing sex work we might be able to help you show me your life. So ok. Bye then.

 

 


 

 

Northern Ireland / Ireland

WARNING: Explicit Imagery and Colloquial Language

Human Immunodeficiency Virus (HIV)

Acquired Immune Deficiency Syndrome (AIDS)

 

Kieran

 

Dear Timothy,

You do not know me but I read this Tumblr every night. I am 16. I live in Ireland. I found out I am HIV. I have not told my parents. I am afraid to do it. They are going to kill me. I feel like my life is over. Do any of the boys who you work with have the same kind of problem about telling parents? I am desperate. No one in Ireland can help me. I do not know what to do.

Kieran

***

Kieran,

Many of the guys that you are reading and reading about here have been adjudicated (means a decision in their legal status has been issued) by courts as adults so it’s a little different for them.

This entire issue has changed for me.

In the past, I used to tell kids to get adult help. From someone they trust. And the two of you could decide that the “friend” could help break the bad news.

But today, when someone says “my parents are going to kill me,” I have come to realize means exactly that.

It’s tricky.

Some of the guys here have simply left home because they are afraid of the violence that could be directed their way. My experience with this is that sometimes that violence actually comes from siblings versus directly from parents.

Thing is, at sixteen, it’s difficult to do this alone.

Some boys have opted to take the meds in secret. This IS an option. It’s dangerous. But it’s an option.

Another option is to find a medical person who will act as “friend” and who can explain that this does not mean that life necessarily ends at HIV.

I would stay away from the church.

The stigma is associated with sex.

You have to determine how invasive your parents are in your life. Will they find the pills.

You haven’t said you are under treatment. You should be followed medically. It’s not something to put off.

Tell them. Or don’t tell them. How important are they to your support system. You have to decide.

A lot of people just assume the parents are significant. That is frequently an illusion.

I can’t imagine facing it alone.

Go back to where you were diagnosed and inquire further into what support services are available to you.

Just telling someone they’re positive is not enough.

Often what happens in these clinical settings is that the counselor will be listing your services that are available to you, but this doesn’t get clearly conveyed because the person who is being told they have HIV is sitting there in shock. They are not listening. They need time.

Reach out and make another contact. One step at a time. And if some of those steps are very small — it’s okay.

tim

 

 

 

***

Cinemateque Films: Art Education: Students are allowed access to fair use art materials and mixed media in the teaching of iconic manipulation in photographic, video and film production. Representations and facsimiles are presented as teaching tools and instruments employed to instruct students in the techniques and application of mixed media art and collage. The Digital Millennium Copyright Act allows art-teaching entities the fair use of such materials in classroom and teaching-research applications.

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